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WeShop Canvas: Apparel Images & Video Workflow

Plan apparel images and short videos in WeShop Canvas, with reference-image roles, reusable prompts, pose branches and product-accuracy checks.

You have a new outfit to launch. You need a clear front view for the product page, a different pose for a campaign and perhaps a short clip for social media. They all need to show the same garment. If the neckline changes between pictures, you have a problem to fix before posting.

You can organize this project in WeShop Canvas. The pink outfit below is a worked planning example. Adapt the prompts to your own item; we have not generated or tested this particular campaign. Interface examples are grounded in the official apparel tutorial, recorded with Canvas 0.1.10; check the interface and available settings in your installed version.

1. Decide which pictures you actually need

Imagine a pink two-piece outfit that needs a listing image, a three-quarter campaign image and an optional motion clip. Write down what would make a picture unusable, even if you like its lighting.

  • Product: identify the exact item and colorway. List details that must stay unchanged, such as the neckline, sleeve length, seams and logo placement.
  • References: choose a clear person image and a garment image. Add actual detail or back-view photos when those surfaces need to appear.
  • Deliverables: name the required views, channel dimensions and whether video is needed. Confirm each channel's current requirements before final sizing.
  • Creative direction: describe the backdrop, lighting and pose separately from the product details.
  • Acceptance: decide who checks product accuracy and what would require a new attempt.

Do a quick reference check before you start. Pick a garment photo where you can see the areas you plan to show. A bag hiding the waistband or hair covering the neckline leaves less information to work with. If you only have a front photo, get a real back photo before asking for a back view you intend to use on a product page.

Keep a close-up of any detail that could decide a purchase, such as a fastening, knit texture or printed logo. You can use it during review even when it is not part of the generation request. If you are still choosing source pictures, the WeShop AI product photography guide covers the related preparation work.

A reusable brief might read: “Pink long-sleeve top and matching shorts. Neutral studio setting. Deliver a front view and a three-quarter view. Preserve the garment silhouette, color and visible stitching. No added text or accessories. Review the stills before deciding on video.”

2. Tell Canvas what each reference is for

A person reference answers who appears in the picture. A garment reference answers what they wear. A mood reference may suggest lighting, but should not silently replace the garment's color or construction.

The official tutorial imports two images and selects them as references for an outfit request. Before sending your own request, check which images are attached and describe their roles explicitly. Avoid a vague instruction such as “make it look like this” when several images are selected.

Suggested request: “Use the person reference for identity and the outfit reference for clothing. Create one full-body studio image. Keep the outfit's neckline, sleeves, shorts length and color faithful to the reference. Add no text or accessories. Show the plan before generating.”

3. Check the plan, then check the first image

In the recorded manual workflow, the Agent proposes a plan; manual creation adds connected Drafts. Generation is a separate action. The tutorial also notes that planning can use conversation-model points, while media generation requires its own paid confirmation. Review the current usage information before proceeding.

Before generating, check the attached images and output count. Ask for one image while you are still deciding on the direction. Once it returns, open it and compare it with your garment reference before making more pictures from it.

Approve the base image against the original garment first. Check the garment outline at full size, especially near hands, hair and the waist. If an important seam is missing, fix the base before multiplying the same mistake into more views.

4. Make each pose from the same base image

Use the same checked base image for each pose so you can compare them fairly. If you repeatedly edit the newest result, differences accumulate and it becomes harder to tell which change caused the garment to drift.

Suggested request: “Use the approved base as the reference. Plan three separate images: a relaxed front-facing stance, a three-quarter stance with one hand at the waist, and a gentle walking pose. Preserve identity, outfit construction, color and studio background. Keep the full person in frame. Show the plan before generating.”

Try one pose first and see whether the clothing holds up. If the base is sound but one pose fails, revise that branch's pose instruction. If every branch repeats a clothing error, return to the base or improve the source reference.

The official tutorial also demonstrates Skill-based edits and a short video derived from a selected pose. Choose an edit to solve a specific problem. A tone adjustment is useful for uneven lighting; it cannot establish a missing product detail.

5. Check the details before choosing a favorite

Compare each candidate with the real item and the brief. Use the same checks for every branch so that “best looking” does not become the only selection rule.

  • Garment: inspect the neckline, cuffs, hem, seams, fastenings and logos. Reject invented text or altered construction.
  • Color and texture: compare with the product reference. A filter that makes pink appear purple may be unsuitable for a listing.
  • Body and occlusion: check fingers, limbs and the boundary between clothing and skin. Look for fabric merging into a hand or disappearing behind hair.
  • Framing: confirm required product areas remain visible after the intended channel crop.
  • Evidence: mark any view whose hidden details were inferred. A generated back view does not prove the actual back design; use a real back photograph for verification.

Write a short reason beside your chosen version in your working notes: “Approved for front listing view; hem and sleeve checked; three-quarter branch needs hand correction.” That tells whoever picks up the project exactly what to fix.

6. Start the video with a still you trust

A good still gives you a starting point for video, but you still need to check the motion. For this example, begin with restrained motion rather than asking for walking, turning and camera movement together.

Suggested request: “Use the approved three-quarter image as the first frame. Create a five-second silent showcase clip with a fixed camera and subtle breathing and weight shifts. Preserve the person, garment shape, color and background. Show the plan before generating.”

Watch the whole clip. Check garment edges during movement, inspect the first and last frames, and look for changes in the face, hands or logo. If movement alters the clothing, simplify the motion or keep the approved still as the deliverable. A successful generation is not the same as a publishable clip.

7. Fix the problem you can actually see

When a result is wrong, name the visible error before changing the prompt. “Make it better” gives you very little to compare. “The left cuff is missing; restore the cuff from the garment reference and keep the pose and background” gives you a specific check for the next attempt.

Suggested correction: “The shorts hem in this result is shorter than in the garment reference. Keep the person, pose and studio setting. Restore the shorts length and visible hem detail to match the reference. Create one revision and show the plan first.” This is a request to try, not a guarantee that the model will recover the detail.

Choose where to restart based on where the error first appeared:

  • If the base already has the wrong neckline, return to the base and its references. More pose variations will give you more pictures with that mistake.
  • If only the walking pose has a distorted hand, keep the other views and redo the walking branch. Consider a pose where the hand does not cover the garment.
  • If a color edit changes the fabric or logo, return to the original pose image and narrow the edit. Do not feed that altered version into the video.
  • If the video changes the outfit during a turn, reduce the movement. If it still fails review, deliver the stills and leave the clip out.

A Draft with no image may simply be waiting for generation in manual mode. Check its state before creating another copy. If the interface shows a running or failed task, read that status and the displayed recovery options. Repeating the request before you know what happened makes it harder to identify which output belongs to which attempt.

Keep a small review note for each attempt: the source you used, the change you requested and whether the error remains. After repeated failures, reconsider the reference or pose instead of adding more adjectives to the same prompt. A clearer source photo may be more useful than another round of “high quality, realistic, perfect detail.”

8. Save the files you want someone else to use

Keep the original photos and your chosen outputs easy to tell apart. A practical filename might be “pink-set_front_listing_approved_v02”; include the item, view, purpose and revision rather than relying on “final”.

Open the saved files before sending them. Check the dimensions, crop and playback, and send the chosen set with a short note about anything that still needs attention. Keep the original references available for the next campaign.

Before you call the set finished, look at the images together at the size they will be used. Check that the pink outfit stays the same color across views and that the crop still shows the details you need. Then inspect those details at full size. A thumbnail can hide a broken seam; a full-size view can hide the fact that the sleeve gets cut off in the final layout.

If another person will publish the files, include the intended use beside each filename. For example: “Front view: product listing. Three-quarter view: campaign placement. Video: reviewed silent clip.” Keep trials out of that delivery folder so nobody has to guess which version you chose.

For the exact recorded controls and screenshots, follow the official step-by-step tutorial. To explore the product, visit the WeShop Canvas introduction. Start with one item and one accepted base image; expand the project only when the garment remains faithful.

你有一套新衣服要上架。商品页需要一张看得清楚的正面图,活动页想换个姿势,社交账号可能还要一段短视频。这几张图得让人认出是同一套衣服。如果换个姿势,领口和版型也跟着变了,就要先修好再用。

可以把这个项目放进 WeShop Canvas 里逐步完成。下面用一套粉色服饰举例,提示词可以按你的商品改写;这是一份工作流示例,我们没有实际生成或测试这一组营销素材。操作依据来自官方服饰教程,其录制版本为 Canvas 0.1.10;实际界面与可用参数请以安装版本为准。

1. 先想清楚,这次到底要几张什么图

假设这次上新是一套粉色服饰,需要一张商品正面图、一张斜侧身活动图,以及一段可选的动态展示。先把“哪些地方错了就不能用”写下来,后面选图才有依据。

  • 商品:写清款式与色号,列出不能改变的细节,例如领口、袖长、缝线和标识位置。
  • 参考:准备清晰的人物图与服装图;如果要展示背面或局部,补充真实的对应照片。
  • 图片用途:要正面还是侧身,放在哪个渠道,需不需要视频。最后裁切前,再确认平台的尺寸要求。
  • 创意:把背景、光线、姿势与商品本身的要求分开描述。
  • 检查:谁来对照实物看图,哪些问题一出现就得重做。

开始前先挑一下原图。你打算展示的地方,照片里最好能看清楚。包挡住腰部、头发盖住领口,都会让可参考的信息变少。如果只有正面照,就先补一张真实背面照,再做准备放进商品页的背面图。

拉链、针织纹理、印花标识这些可能影响购买决定的地方,可以另外留一张近照。它不一定要放进每次生成请求,但检查结果时很有用。还在准备素材的话,也可以看用 WeShop AI 做商品摄影的指南。

可直接改写的简报:“粉色长袖上衣与配套短裤,采用中性摄影棚背景。交付正面图和斜侧身图。保持服装轮廓、颜色及可见缝线,不添加文字或配饰。静态图审核通过后,再决定是否制作视频。”

2. 告诉 Canvas,每张参考图是干什么的

人物图用来确定是谁,服装图用来确定穿什么。如果还放了一张喜欢的氛围图,就写清楚只参考它的光线,别让它把商品的颜色和版型也带跑了。

官方教程从导入两张图、选中它们作为换装参考开始。提交自己的需求前,确认输入框附带的是哪些图,并明确写出各自的用途。选中多张图时,只说“做成这种感觉”,容易让要求变得含混。

提示词示例:“人物参考图用于确定人物身份,服装参考图用于确定衣物。制作一张全身摄影棚图片,忠于参考中的领口、袖子、短裤长度和颜色。不添加文字或配饰。先展示计划,再生成。”

3. 看完计划,再检查第一张图

在官方录制的手动流程中,Agent 先给出计划,手动创建会添加带连线的 Draft,生成则是后续动作。教程也说明,规划可能消耗对话模型点数,媒体生成另有付费确认。操作前查看当前用量提示。

点生成前,看一眼附带的图片和输出数量。还没确定方向时,先做一张。结果回来后,打开图片和服装原图对照,确认衣服没变,再拿它继续做。

第一张图就是后面的基准图。放大看看衣服边缘,尤其是手、头发和腰部附近。这里如果已经少了一条重要缝线,就先把它修好,否则接下来做几个姿势,很可能每张都有同样的问题。

4. 换姿势时,都从同一张基准图出发

几个姿势最好都用同一张检查过的基准图,这样放在一起才好比。如果一直拿最新结果往下改,改着改着衣服变了,你还得往前翻,找是哪一步开始不对的。

提示词示例:“使用已确认的基准图作为参考,规划三个独立结果:自然正面站姿、一只手搭在腰部的斜侧身姿势、轻缓向前行走的姿势。保留人物身份、服装结构、颜色和摄影棚背景。保持全身入画。先展示计划,再生成。”

先试一个姿势,看看衣服能不能保持住,再做其他方向。如果基准图正确、某个姿势失败,就调整该分支的姿势要求;如果所有分支都重复出现衣物错误,应回到基准图或补充源素材。

官方教程还演示了给选定姿势使用 Skill 编辑,再做短视频。你可以按具体问题选编辑方式。比如光线不合适,就调整色调;衣服少了细节,光靠滤镜解决不了。

5. 选图前,先把衣服细节看一遍

别急着选最好看的那张。先拿实物照片和一开始写的要求,对每张图做同样的检查。

  • 服装结构:检查领口、袖口、下摆、缝线、扣件及标识,淘汰虚构文字或结构被改动的结果。
  • 颜色与材质:对照商品参考。让粉色变成紫色的滤镜,可能不适合用于商品展示。
  • 人体与遮挡:检查手指、四肢及衣物与皮肤的边界,留意布料融入手部或在头发后消失的问题。
  • 裁切:按目标渠道预览裁切后,确认必须展示的商品部位仍然可见。
  • 依据:标明哪些不可见细节是推测出来的。生成的背面图不能证明实物背面设计,应使用真实背面照片核对。

在工作记录里顺手写下为什么选这张、哪里还要改,例如:“正面商品图通过,已核对下摆与袖子;侧身分支需修正手部。”下一个接手的人就知道该改什么。

6. 做视频之前,先选一张靠谱的静态图

静态图没问题,也得把视频从头到尾看一遍。刚开始可以让动作小一点,先别把走动、转身和镜头移动全塞进一个需求里。

提示词示例:“以已认可的斜侧身图作为首帧,制作五秒无声展示视频。镜头固定,人物只有轻微自然呼吸与重心变化。保持人物、服装形状、颜色和背景。先展示计划,再生成。”

完整观看视频,检查运动中的衣物边缘、首尾帧,以及脸部、手部和标识是否变化。如果动作让服装失真,就简化动作,或保留已通过审核的静态图作为交付。生成成功并不等于可以发布。

7. 图不对时,先说清楚哪里不对

看到问题,先把它描述出来再改提示词。“再好看一点”不太容易检查。换成“左边袖口不见了,请按服装原图恢复袖口,姿势和背景保持不变”,下一张回来你就知道该看哪里。

返工提示词示例:“这张图里的短裤下摆比服装参考图短。保留人物、姿势和摄影棚背景,把短裤长度与可见下摆细节恢复到参考图的样子。做一个修改版本,先给我看计划。”这是可以尝试的要求,不能保证模型一定能补回细节。

从哪一步重做,要看问题最早出在哪里:

  • 基准图的领口就错了:回到基准图和原始参考,别继续做更多同样出错的姿势。
  • 只有走路那张手变形:保留其他视角,重做走路分支,也可以换成手不挡衣服的姿势。
  • 调色后面料或标识变了:回到调色前的姿势图,把修改范围收窄。别再拿变了的图做视频。
  • 视频一转身,衣服就变样:减少动作。还是不行,就先交付静态图,把视频留出来。

Draft 里还没有图片,在手动模式下可能只是等你启动生成。先看状态,再决定要不要建一份新的。如果界面显示任务还在运行,或者已经失败,就先看状态信息和对应的处理选项。还不知道上一次发生了什么就重复发送,会更难分清哪张结果是哪次做的。

每次尝试留一句记录就够了:用了哪张参考、改了什么、问题还在不在。连续几次没解决,就重新考虑参考图和姿势。换一张看得更清楚的原图,可能比继续堆“高清、真实、完美细节”更有用。

8. 整理好文件,别人拿到就知道怎么用

把原图、选中的结果和没用的试稿分开放。文件名可以采用“粉色套装_正面_商品页_已确认_v02”,写明商品、视角、用途与版本,比只写“最终版”更便于追踪。

发给别人之前,自己先打开保存好的文件,看尺寸对不对、裁切合不合适,视频能不能正常播放。只发你已经选好的那一组,有没解决的问题就一起说清楚。原始参考留着,下次做活动还能继续用。

最后把几张图放到一起,按实际使用的大小看一遍。粉色有没有变成几个色号?裁切后需要展示的地方还在不在?再放大看细节。缩略图可能看不出缝线断了,只看大图又容易忘记最终版会裁掉袖子。

如果是别人来发布,就在文件旁边标清用途。例如“正面图:商品页;侧身图:活动素材;视频:已检查的无声版本”。没选中的试稿别混进交付文件夹,省得对方还要猜哪个才是你要用的。

具体按钮、录制截图及完整操作顺序,可查看官方分步教程。了解产品入口,可前往 WeShop Canvas 产品介绍。先做好一个商品和一张可靠的基准图,再扩展整个项目。